They should have followed their first instinct. We believe Man of Steel had a more traditional-looking color grade until later in post-production when they decided to go darker. The orange-tinted sky in the Metropolis aftermath shots and the purple girders behind Zod were actually there naturally. We did, in fact, put too much green in the savanna, brought to our attention by eagle-eyed commenters. Synthetic Aperture’s Color Finesse and some color exclusion adjustments did most of the heavy lifting in our color correction and re-grade, but each clip required a cocktail of secondary corrections. If the raw footage had been colored in a more natural and pleasing manner, it would actually look SIGNIFICANTLY better than what you see here. Without the Color Finesse plug-in, projects created with it in earlier versions of After Effects will not render as expected in After Effects 16.0. Since our source footage already contained severe color-grading decisions, it was far from optimal and, at best, this is an approximation. The Color Finesse plug-in is still available from Synthetic Aperture. High-speed RAID arrays are an essential part of the process for all systems. WORKFLOW: (For the curious) The results we achieved are obviously a bit oversaturated and contain contrast artifacts. Some color grading software like Synthetic Apertures Color Finesse runs solely as software and will even run on low-end computer systems. When you make a Superman movie, and not every kid walking out of the theater wishes they were Superman… you’ve done something wrong. He’s a worldwide icon that has lasted 77 years. Perhaps a better option: After Effects actually ships with a limited edition version Color Finesse, found in Effects>Synthetic Aperture. PRODUCTION NOTE: We’re big fans of both Superman and the film Man of Steel. Pictures, Columbia-EMI-Warner, & DC Entertainment is included as a criticism/commentary on filmmaking techniques and has not been reproduced for direct consumption. LEGAL NOTE: All © & ™ footage belonging to Legendary Pictures, CBS, Warner Bros. The Professional package, shipping at 999 with Synthetic Aperture Color Finesse and Zaxwerks 3-D Invigorator Classic plug-ins, also includes motion. Would Man of Steel have been more successful at the box office if it wasn’t colored like Schindler’s List? What do you think? Turns out there was a beautiful Zack Snyder movie hiding underneath the bleak coloring. VideoLab attempts to turn back time and restore the natural color & brightness in shots from DC’s Man of Steel. That because the Dark Knight franchise was successful, and they were dark and gritty with muted color, then ALL superhero films should be dark and gritty with muted color. It would seem that DC learned the wrong lesson from Christopher Nolan’s Batman films. He’s purty.This video does an excellent job of nailing one of the technical criticisms I had with Man of Steel, and something which I feel will continue to be an issue with Batman v Superman. I walked away from that movie wishing to be Superman. When you make a Superman movie, and not every kid running out of the theater wishes they were Superman… you’ve done something wrong. He’s a worldwide icon that has lasted 77 years. Whether youre just trying to fix that DV footage or doing DI on the desktop, Color Finesse is one of the tools that will make your job not only affordable but. It is designed in an intuitive manner that editors will find easy to use. We’re big fans of both Superman and the film Man Of Steel. Reviews Synthetic Aperture Color Finesse 2 is a powerful tool that every editor will want to investigate. But what would happen if you color corrected the film to more closely match the vibrant Superman films we’re used to? VideoLab used Synthetic Aperture’s Color Finesse and some color exclusion adjustments to try to restore some of the original color to Man Of Steel, and they color restored a bit of the Batman V Superman: Dawn of Justice teaser as well. Man Of Steel was also a dark movie in that Snyder went a little Sucker Punch with the filters. Pa Kent suggested it would have been a lot cooler if Clark had let a busload of kids drown and director Zack Snyder himself has talked about the mass deaths he wanted in the film.
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